Matthew Duss

Matthew Duss is a foreign policy analyst and a contributing writer for the Prospect. You can follow him on Twitter @mattduss.

Recent Articles

PROPAGANDA GIFTS.

Eric Martin suggests that Democrats call Bush's veto bluff, and proceed with legislation making private contractors in Iraq subject to prosecution in U.S. courts. I agree. Martin writes:

DIE, PARADIGM, DIE!

Noah Pollak is concerned that the upcoming Israeli-Palestinian peace conference in Annapolis might subvert the dominant paradigm:

FRIENDS DON'T LET FRIENDS DISAPPEAR AS PART OF THEIR ESCHATOLOGY

I heard this NPR story this morning as I made pancakes:

"Seven thousand evangelical Christians from nearly 100 countries are in Israel this week to show support for the Jewish state.

[...]

The evangelical Christians in colorful costumes wave flags, sing and dance — marching as part of the city's traditional parade for the Jewish holiday of Sukkot...

Wearing large styrofoam cowboy hats and beaming with joy, Sandy and Greg Cassee from Amarillo, Texas, said this was their first visit to Israel.”

THE PASDARAN'S FAVORITE PUNDIT

Michael Ledeen tries punching above his weight:

"[Seymour] Hersh has been announcing the imminent bombing of Iranian nuclear sites for many months, and has now changed the lyrics to that chant. He now says that there’s been a change in program: we’re going to bomb military targets, Revolutionary Guards bases, and so forth. As usual, his sources range from the unnamed to the unreliable. He relies on Vincent Cannistraro, who has lied about me among his other inventions, and on Vali Nasr, who rarely sees anything to criticize in the Islamic Republic of Iran. The quality of Nasr’s analysis emerges in an amazing statement that Hersh quotes with favor:

ARABS AND HOLLYWOOD.

There's an Interesting LA Times story today on actors of Middle Eastern descent struggling with the roles available to them:

"Arabs and Arab Americans in Hollywood live in an interesting time. The appetite for Middle Eastern stories and themes boomed after 9/11 and grew again with the ongoing grind of the war in Iraq. But the roles suddenly being created for Arab-heritage actors often are limited to those of terrorists or are otherwise so poorly drawn that actors must swallow their pride to take them. And that's if they even get offered the parts.

Some in the community still see the changes as a sign of progress.

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