The website Jezebel was born in 2007 out of the idea that the urban (or at least urbane) American woman was a ripe demographic, yearning to read about pop culture, fashion, and sex in a more skeptical way than the package provided by the traditional glossy women’s magazine. “In media, men are not a coherent sect,” Internet entrepreneur and Machiavellian overlord of Gawker Media Nick Denton told The New York Times in 2010. “You go into a magazine store and see rows upon rows of women’s magazines. [With women], there’s a much clearer collective.”
Seamus Heaney made me love poetry. There you have it, the schmaltz, right up top. But it is true, so I have to say it and today is as good a day as any to do so, because Seamus Heaney died while we were sleeping, at the age of 74. He was a teacher, a Nobel Laureate, and as you will surely read many times over in the coming days, the greatest Irish poet since Yeats and his swans.
The times are few and far between these days when news hounds and junkies—almost all devotees of Twitter—turn away from its blinking columns of information, away from the breaking story going through mitosis at the hands of a thousand bloggers and pundits, and focus their attention on the mother medium of television. A thousand ergonomic office chairs swiveled toward the boob tube late yesterday afternoon to watch the biggest boob in New York City—and that’s saying quite a bit, since I’m pretty sure Geraldo lives there—try to explain himself and his naughty texts to young women, rife with gonad selfies and the misuse of a certain Latin preposition.
I am a Pavlovian creature. I was 14 on 9/11 and my worldview has been so clouded by the ghost-gray lower Manhattan smoke of that day, a specter unto itself, that it’s hard for me to see anything like the chaos of yesterday’s Boston Marathon bombing and not circle back to where I sat the night of September 11th, on the bed in my parents’ room, watching news reports and realizing that it was all much more horrible than I had realized. It was an endless loop of the moments of impact and the towers melting out of existence. People were falling from the sky. I sat there on my parents’ bed in Ohio, not knowing a soul in New York City or Washington, D.C., and cried because I’d never seen anything like it. The cinematic nature of the deaths was the most frightening part; stuff like this didn’t just happen in the movies anymore.
We are living in a golden age of information. Any newshound or junkie will tell you so. More and more, the layers of position and personage that constitute establishment influence are being peeled back to their tendons, revealing the innermost workings of power. The wry cynicism of Twitter has become the lingua franca of information brokers. Public statements are easily picked apart and the official stagecraft of a flag-pinned lapel, a rolled-up shirtsleeve, an of-the-people photo op are all viewed as perfunctory gestures, rote and largely meaningless.