In early 1953, a number of democratic socialist intellectuals gathered in literary critic Irving Howe’s living room to discuss the formation of a new political journal. McCarthyism was at its height in the United States, while Joseph Stalin still ruled over the Soviet Union. Howe and his guests knew what they wanted their new journal to be: A quarterly publication of ideas, criticism, and reporting from around the world—from de-colonialized New Delhi, from New York housing projects and Michigan auto plants—that illuminated and excoriated both the structural inequalities endemic to capitalism and the self-perpetuating tyranny baked into communism. The journal’s political perspective was clear: Capitalist economies and polities needed to be democratized and socialized so that human potential could flourish; communist totalitarian regimes needed to be democratized and socialized so that, well, human potential could flourish. At the same time, the magazine would eschew the turgid rhetoric that afflicted so much socialist writing. It would speak in plain, smart English, such as the sentence—“Socialist is the name of our desire”—with which Howe and Henry Pachter began the first issue’s ideological-definition essay.
AP Images/St. Louis Post-Dispatch/Stephanie S. Cordle
The story of the United Mine Workers of America is the story of the American labor movement as a whole. The Mine Workers were once the single most important union in the United States: the union that broke from a stodgy labor federation in 1935 to devote its resources to organizing the nation’s factories, the union that built such dynamos as the United Auto Workers and the Steelworkers; the union that sunk so much money into Franklin Roosevelt’s 1936 campaign that FDR didn’t raise a peep when striking auto workers occupied General Motors’ Flint, Michigan, factories and didn’t come out until GM had recognized their union; the union that had the strength and cojones to strike during World War II’s strike ban; the union that transformed industrial America
Michael Bloomberg has declined to endorse anyone in the race to succeed him as New York’s mayor. Neither Democrat Bill de Blasio, whose entire campaign is a critique of Bloomberg’s tenure in office, nor Republican Joseph Lhota, who is trailing de Blasio by a mind-boggling 50 points and who has been heard disparaging Bloomberg to boot, has endeared himself to the billionaire mayor.
But Bloomberg has not been without other local endorsement options—just not for mayor. Earlier this week, hizzoner’s spokesman said that Bloomberg would endorse Newark Mayor Cory Booker in his bid to win New Jersey’s U.S. senate seat later this month.
The three buildings arrayed around the central fountain at New York’s Lincoln Center are, north to south, Avery Fisher Hall, the Metropolitan Opera House, and the David H. Koch Theater. Avery Fisher was a radio and sound reproduction technologist who amassed a fortune from his hi-fi ventures in the mid-20th century, and donated a vast sum of money to the New York Philharmonic, which today performs in his eponymous auditorium. The Metropolitan Opera is the Metropolitan Opera. And David Koch is the same David Koch who is financing the destruction of the United States as we know it.
John Boehner apparently will let the debt ceiling rise, even if he has to rely on Democratic votes to do it. This is both good news and bad news.
It’s good news because we won’t have a global financial panic in two weeks time. Boehner apparently got Wall Street’s message loud and clear: If you make the United States government default on its debts, you take responsibility for a worldwide economic catastrophe.