Contemporary television’s writer-creators are celebrated, while its directors are often hired guns on set for an episode or two. But the entire eight-episode arc of the new HBO miniseries True Detective, starring Matthew McConaughey and Woody Harrelson as Louisiana criminal investigators, was directed by 36-year-old Cary Fukunaga.
Comic actress Greta Gerwig has a versatile look—indolent or boyish, athletic or glamorous, always blond and beautiful but with broad shoulders and doughy cheeks that make her resemble an improbably attractive rugby player. The through line in her work is her pained gaze telegraphing that she’s alone in the world, and she wouldn’t expect otherwise.
Our lives rarely turn out the way we plan. Perhaps it’s to counter this pervasive sense of uncertainty that so many people feel compelled to write memoirs of perseverance, reframing the shifts their lives have taken into a sure-footed narrative arc. But confusion is the reigning feeling in James Lasdun’s new memoir Give Me Everything You Have (Farrar, Straus and Giroux). A highly regarded, New York-based British novelist, essayist, and poet, Lasdun writes about being stalked for more than six years, unable to do a thing about it. “I’m not so sure of anything anymore,” Lasdun tells us early on in the book.
Hector Barajas, a former paratrooper in the U.S. Army, lives in a two-bedroom apartment in Rosarito Beach, a seaside Mexican village 15 miles south of the border. Barajas, 36, has lived near Rosarito since 2009, usually with another deported veteran living in his second bedroom or on his couch. He is a leading advocate against the deportation of veterans, which has become a more prevalent concern for members of our armed forces in recent years, and his home has become the cause’s unofficial headquarters. Barajas’ current houseguest, Fabian Rebolledo, received a Purple Heart for his service in Kosovo. When Rebolledo, 37, was deported to Tijuana earlier this year, he called Barajas almost immediately.
A few years ago, anti-immigration ads began popping up in a number of progressive magazines, including this one. The ads displayed an environmental wasteland and suggested that immigrants were somehow the cause -- one showed an image of a congested highway with an adjoining paragraph about how immigration contributes to commuter traffic.