Matthew Duss

Matthew Duss is a foreign policy analyst and a contributing writer for the Prospect. You can follow him on Twitter @mattduss.

Recent Articles

HISTORICAL ANALOGY-JITSU.

Josh Patashnik, responding to Andy McCarthy's claim that Benazir Bhutto was killed "by the real Pakistan":

[This] seems to me akin to saying in 1968 that Martin Luther King, Jr. was killed by the "real America"--not completely absurd, but far from capturing the reality of the situation. It's an insult to the disenfranchised majority of Pakistanis who reject both Musharraf and al-Qaeda.

Indeed.

--Matthew Duss

SAME OLD SADR DANCE.

Cernig comments on reports that Muqtada al-Sadr may extend the cease fire he declared in late August. (Via Eric Martin.)

ANOTHER KIND OF IRAQ BLOWBACK.

Negar Azimi explains how, rather than continuing to pressure Egypt on human rights and democratic reform, the Bush administration has reverted to supporting Hosni Mubarak's dictatorship, treating it as an ally in the "war on terror" and a bulwark against the growing Iranian and Islamist influence which has resulted from the U.S. invasion and occupation of Iraq. Isn't that wonderful? By agreeing to be a recipient of extraordinary rendition detainees, you too can get the heat off your authoritarian regime.

Underwriting the Conflict in Hebron

When it comes to U.S. fundraising for Israeli settlements, donating to the Hebron Fund is not merely an expression of support for Israel, it's a perpetuation of the systematic oppression of Palestinians.

On Nov. 18, in the beautifully appointed ballroom of Manhattan's posh Grand Hyatt Hotel at Grand Central Station, the Hebron Fund held its annual fund-raising gala. According to organizers, guests paid upward of $300 a head, with anything above the cost of the dinner considered tax-deductible. The evening began with a reception in an anteroom featuring a buffet of gourmet foods. A chef in a tall hat worked a stir-fry station; another expertly sliced sashimi and rolled sushi. A dessert table overflowed with cakes and chocolate mousse. A flute and piano duo played easy-listening versions of vaguely recognizable classics.

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