Tom Carson

Tom Carson won two National Magazine Awards during his stint as Esquire's "Screen" columnist and has been nominated twice more as GQ's movie reviewer. Formerly a staff writer at LA Weekly and The Village Voice, he is the author of Gilligan's Wake (a New York Times Notable Book of the Year for 2003) and Daisy Buchanan's Daughter.

Recent Articles

Europe on Five Characters a Day

Woody Allen's latest travelogue is sprightlier than you'd expect.

 

Starting with its generic title, predictably eclectic cast, and cornball opening tune ("Volare," for Pete's sake), To Rome With Love looks like it's going to be another of Woody Allen's paint-by-numbers late-life divertissements. Those picture-postcard settings? In the bag. Not to mention that loose ensemble of coatrack characters—which bauble of your genius will you hang on me, Woody?—among whom he can parcel out his latest idle thoughts on art, love, and fate while indulging his septuagenarian fascination with the mating habits of comely young people.  

Pixar's Take on Kafka

Brave tackles the Scottish countryside and family tensions in a poignant—if slightly by-the-books—way.

(AP Photo/Disney/Pixar)

He that hath children hath given hostages to Disney, as Francis Bacon would no doubt have put it if he'd lived in our time. That's why the latest reason I'm glad little Thomasina Carson doesn't exist—there are many, and Justin Bieber's existence is the least of them—is the woe I'd feel at watching her innocently toddle off to see Brave.

It's not that the movie's bad, understand. After a shaky start and despite some later missteps, it turns into one of Pixar's best, and definitely one of the most surprising. In the wake of, among others, Up and Wall-E—well, the latter's first half, anyway—presumably we can all agree that's no trivial claim. 

The Blander Bush

HBO's 41 asks none of the hard questions about George H.W. Bush's uninspired career

(Wikimedia/Reagan Library Archives)

Premiering tonight on the channel that just got through bringing us Season Two of Game of Thrones—believe me, you'll miss its brute realism—41 couldn't be a tenderer, more wart-free portrait of George H.W. Bush if one of his grandkids had put it together for a private screening on Poppy's 88th birthday. Which was, as it happens, Tuesday, and many happy returns. But that's no excuse for HBO to air nominal documentarian Jeffrey Roth's (who is he, you ask? Beats me.) feature-length Hallmark card.

Mad Men's Shark Week

This season hasn't lived up to our reviewer's high expectations.

(AP Photo/Danny Moloshok)

Maybe an excess of cultishness will just always disgruntle me. It's not like I've read every last online analysis of last week's episode of Mad Men—of course not, because I'd still be at it at age 90. But I got irked anyway when I couldn't turn up any heretics willing to opine that the big shock of Christina Hendricks's Joan consenting to be pimped out by her bosses at Sterling Cooper Draper Pryce for the sake of landing the Jaguar account was kind of, how you say, jiveass. 

The Big Easy's Hometown Paper

(Flickr/Earthhopper)

As of this fall, I'll be living in the largest American city without a daily paper. The Newhouse-owned New Orleans Times-Picayune's announcement on Thursday that the print edition will be downsized to three days per week—Wednesdays, Fridays and Sundays—was a surrender to the digital age even the staff didn't see coming, not to mention a bellwether moment for the newspaper biz nationwide.  No doubt, we won't be the last. 

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