Liberalism

What's Eating the Left's Media?

The liberal media may be in a funk. MSNBC is getting some of its worst ratings in years, and Digby tells us that liberal blogs have experienced serious declines in traffic since the election as well. So why might this be happening?

There are two answers, neither of which would give you much solace if your job depended on raising TV ratings or bringing in more ad revenue for your web site. The first is that outside events, in the form of the natural ebb and flow of the political world, have conspired against the liberal media. The second is that the model—liberals talking about politics—is affected by that ebb and flow in a way conservative media aren't.

The New Deal That Could Have Been

Courtesy W. W. Norton and Company

Invoking “dysfunction” is now the basic black of punditry about American politics. As the British political theorist David Runciman recently observed in the London Review of Books, “Commentators find it almost impossible to write about American democracy these days without reaching for the word ‘dysfunctional.’” Consider the lowlights of our political culture in just the past 15 years: a puerile impeachment; the subsequent president elected via a Supreme Court filled with political allies; a radicalized Republican Party, convinced that taxation and domestic government spending are a form of socialism; a failure by bipartisan elites even to prioritize, let alone tackle, continued high unemployment and the looming catastrophe of climate change. As Runciman’s editors titled his own essay on America’s lumbering democracy, “How can it work?”

Data Comes to the Culture Wars

A sociologist runs the numbers on charges of liberal campus bias.

flickr / World Bank Photo Collection

Remember the good old days of the early culture wars? Oh, how I wistfully long for the late 1980s and early 1990s, when higher education was under sharp attack. It was then that Allan Bloom called out his colleagues for closing the American mind, and E.D. Hirsch surveyed the scene and wondered where all the cultural literacy had gone. Faculty, graduate students, and liberal defenders of American higher education bristled against these charges, to be sure. Yet this was elevated discourse compared to the knuckle-dragging anti-intellectualism of today’s assaults on the academy.

The Pointlessness of Contrarianism for Its Own Sake

Contrarianism!

When you write for a magazine with a particular ideological bent, it's natural to wonder whether you're being too soft on "your" side. This question comes up more when your side is actually in power, since they're the ones who are implementing policies and making decisions; when the other side is in charge, most of your time is spent documenting and analyzing all the harmful and dangerous things they're doing, and your side is occupied with fighting the ruling party and waiting for its turn. Obviously, politics is a never-ending conflict, and that conflict can produce a certain siege mentality. For instance, when a Democratic president proposes a plan for universal health coverage and Republicans attack it with a campaign of mind-boggling hysteria and dishonesty (death panels!), it's natural to spend a good deal of time correcting the record and defending it, even if you think that plan is less than ideal. There are some people (like Glenn Greenwald) who write largely about one set of issues, and thus may find themselves regularly criticizing a president from the party they're closer to if that party doesn't live up to the standards they hold, but if you write about a range of issues, most of the time you won't be critical of your side for the simple reason that most of the time you agree with what they're doing.

That doesn't mean that by doing so you've abandoned critical thinking. On health care, for instance, my own position was like that of many liberals who wrote a lot about the issue—that the Affordable Care Act had a number of weaknesses and could have been much better than it was, but nevertheless represented an extraordinary advance that would have a positive impact on millions of lives. Did the second part of that position make us unthinking water-carriers? I don't think so, but Matt Welch of Reason might argue that it does. In an article titled "The Death of Contrarianism," Welch laments that while liberals (and liberal magazines) used to be skeptical of liberalism, in the Obama years they've become little more than a bunch of Democratic party apparatchiks. "The reformist urge to cross-examine Democratic policy ideas," he writes, "has fizzled out precisely at the time when those ideas are both ascendant and as questionable as ever." Welch seems to pine for the time when The New Republic was torpedoing Bill Clinton's attempt at health care reform by publishing the policy con artist Betsy McCaughey and beating the drums for the invasion of Iraq, because that represented a healthy contrarianism.

You should read Ed Kilgore's response to Welch, but I'd point out that contrarianism in and of itself is nothing to be proud of.

Outmatched

Flickr/FergieFam07

In early December, the Michigan Legislature met for a lame-duck session that should have been uncontroversial—just a bit of housework before the next body convened in 2013. Instead, the GOP majority used the period to enact a dream list of conservative priorities: abortion-rights restrictions, a phaseout of the personal--property tax, reductions to welfare. Its crowning achievement was the passage of a right-to-work bill prohibiting unions from collecting mandatory dues. 

Why Liberals Make Better Political Pop Culture than Conservatives

An image from the libertarian animated film "Silver Circle"

In my ongoing quest to reach across the aisle and foster bipartisanship, I come to praise Jonah Golderb—yes, that Jonah Goldberg, the author of "Liberal Fascism" and innumerable appalling columns, for what he writes in the Los Angeles Times, in which he recoils at the suggestion by some of his brethren that they need to buy a movie studio and start churning out conservative films:

There's a difference between art and propaganda. Outside the art house crowd, liberal agitprop doesn't sell. Art must work with the expectations and beliefs of the audience. Even though pregnancies are commonplace on TV, you'll probably never see a hilarious episode of a sitcom in which a character has an abortion — because abortion isn't funny.

The conservative desire to create a right-wing movie industry is an attempt to mimic a caricature of Hollywood. Any such effort would be a waste of money that would make the Romney campaign seem like a great investment.

There's something Goldberg doesn't mention, which is that when they've tried this kind of thing in the past, conservatives have failed miserably. The problem isn't that pop culture isn't a good way to influence people's political beliefs, it's that when conservatives have tried to use pop culture for those ends, the results have been almost uniformly awful. What was supposed to be funny wasn't funny, what was supposed to be thrilling was boring, and what was supposed to get your toes tapping and your head nodding produced nothing but derisive laughter.

Hooray for Hollywood?

Flickr/The City Project

The article of the day is Jon Chait's piece in New York addressing the question of Hollywood's liberalism. To simplify it a bit, Chait argues that conservatives are basically right in their belief that Hollywood liberals are warping our minds with left-wing propaganda, though they seem to have all but stopped bothering to complain about it. I find it hard to disagree with the first part of Chait's premise: Hollywood is, indeed, dominated by liberals. There are a few high-profile conservatives there (Bruce Willis, Tom Selleck, Clint Eastwood), but they're a small minority. It's not hard to figure out why. Any industry that is made up of creative people is going to be dominated by liberals. Most novelists are liberals too. I'm sure most graphic artists are liberals. There's a whole lot of psychological research demonstrating that liberals tend to be more tolerant of ambiguity, open to experience, and interested in change than conservatives, while conservatives tend to be more conscientious and drawn to hierarchy and order (Prospect alum Chris Mooney details all this in his book The Republican Brain; there's a short version here). In other words, artists are going to be more liberal. Conservatives may not like it, but that's how it is and how it's probably always going to be.

The next question is what values are communicated by the products those liberals produce, and whether we have a problem with them...

You Can't Beat Voter ID with Facts

(Ted Polumbaum Collection / Newseum)

The most recent episode of the Prospect podcast is a conversation with my colleague Abby Rapoport on voter identification laws.

One thing that we begin to talk about, but don’t spend enough time on, is the normative argument against voter identification. So far, liberals have devoted their time to showing the rarity of in-person voter fraud—the kind ostensibly prevented by voter-ID—and the low likelihood that it would affect the outcome of an election. Tactically, this makes a lot of sense. The push for voter ID usually comes with stories of massive voter fraud, that play on public distrust toward government. If you can counter those stories with facts, you can make voters think twice about implementing an additional burden for voting.

Conservatives Explore New Arenas of Self-Caricature

The internet, sort of. (Flickr/jurvetson)

In one of those now-frequent "I can't believe we're actually going to argue about this" moments, conservatives have now decided that the United States government did not actually have any meaningful role in the creation of the Internet, despite what everyone, including all the people who were there at the time, have always known. Why have they suddenly come to this revelation? All you need to know is that Barack Obama has recently been using the Internet as an example of where government can create conditions that allow private enterprise to flourish, and as Simon Malloy says, if Obama says something, "that, ipso facto, makes it false." Part of what's so crazy about this is that the tale of the Internet's creation and development is actually a story of public/private partnership that both liberals and conservatives ought to be able to celebrate.

The Supreme Court's Passive-Aggressive Gutting of Habeas Corpus

WikiMedia Commons

The latest outrage from the Roberts Court involves not something the Court did but what it didn't do. Today, the Court refused to hear appeals from seven people who have been detained without charges at Guantanamo Bay. In 2008, the Supreme Court formally posed as a defender of habeas corpus in Boumediene v. Bush, holding that the Military Commissions Act of 2006 violated rights to habeas corpus possessed by those detained at Gitmo.

The Sixties at 50

Half a century later, the battles of the 1960s--and the effects of one great wrong turn by liberals of that time--are still with us.

(AP Photo)

The following column accompanies a special report in the July-August issue, taking stock of America's progress in fighting poverty on the 50th anniversary of Michael Harrington's The Other America."Ever since the 1960s, many of us have measured progress by how far America has gone in fulfilling the ideals of that era: guaranteeing equal rights, preventing unjust wars, safeguarding the earth, ending poverty.

 

Our Battle Scars

The Cause tells how liberals gave America the best of the 20th century. So why is it so hard to be one?

Google Images

It’s taken me almost my entire life to come out of the closet as a liberal. In college at the end of the 1970s, I was no revolutionary, but I thought of myself as a radical. Working at “the independent socialist newspaper” In These Times in the 1980s, I tried on actual socialism, with some relief at having a name for what I thought I believed. Later I became a progressive, when that term came to stand for the Paul Wellstone-Howard Dean “Democratic wing of the Democratic Party.”

Engaging on Philosophy

As the Republican party has moved farther and farther to the right in recent years, I've often felt that practical discussions of the effects of policy have gotten less and less important. The true believers who now dominate the GOP—and the politicians who feel the need to pretend they're true believers—are much more comfortable talking about the role of government than they are talking about how you solve actual problems, so they make practical arguments almost half-heartedly. Listen to a Republican talk about how they'd solve the problem of over 50 million Americans without health insurance, for instance, and you'll hear something like, "Well, we need free market solutions that don't infringe on freedom, because Obamacare represents the most profound expansion of government since Joe Stalin, and big government kills freedom…" Ask them why the free market will work better than government when in this case the opposite has proven true again and again, and they'll quickly move back to the level of philosophy, because as on so many issues, it's much more about values than about the actual effects of policies. I'm sure Republicans aren't actively pleased about the fact that so many of our people have no coverage, but they don't care deeply enough about that practical problem to accept a solution that in any way violates their philosophical principles (or helps their political opponents, of course).

Liberals talk in philosophical terms far less often, in part because our philosophy tends to be less inclined toward rhetorically easy black-and-white constructions. That's why I was pleased to see this, from the Obama campaign:

Makers and Takers

(Jamelle Bouie/The American Prospect)

If you want to know the priorities behind Paul Ryan’s latest budget, “The Path to Prosperity,” look no further than the line he delivered to the audience at the American Enterprise Institute. “We’ve become a nation of net takers versus makers,” said the House budget chair.

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