Greg Sestero and Tom Bissell’s new book, The Disaster Artist, basks in the delightful weirdness of The Room and its chief architect.
Oct 04, 2013
Photo by Amanda Edwards/PictureGroup
"The greatest bad movie ever made." That's what the subtitle of The Disaster Artist, by Greg Sestero with co-author Tom Bissell (Simon & Shuster, $25.99), calls crackpot director-writer-star Tommy Wiseau's The Room, on which Sestero labored as costar, line producer, and thunderstruck eyewitness. The object of a worldwide cult that's still going strong a decade after the movie's 2003 "release”—it played for two weeks in a single L.A. theater rented by Wiseau, to mostly empty houses until word began to spread that this was no ordinary train wreck—The Room has definitely displaced the previous bad-movie champ, Ed Wood's legendary 1959 Plan 9 From Outer Space, in both notoriety and audience affection. And what a bitter pill for Wood's ghost, since the only superlative he ever earned has been snatched away by an even crazier usurper.