For Batman fans, this past week was a big one. In addition to the release of Arkham City – the sequel to Arkham Asylum, the world’s greatest Batman simulator – DC released its animated adaptation of Batman: Year One, the Frank Miller-penned story that would define Batman for the next two decades, and form the basis for Christopher Nolan’s interpretation of the character. Here’s a trailer:
Yoram Kaniuk has won: The prominent Israeli novelist is now very officially a Jew of no religion.
Hundreds of other Israelis, inspired by his legal victory, want to follow his example and change their religious status to "none" in the country's Population Registry, while remaining Jews by nationality in the same government database. A new verb has entered Hebrew, lehitkaniuk, to Kaniuk oneself, to legally register an internal divorce of Jewish ethnicity from Jewish religion.
Over the past three decades, laissez-faire economics has had an im-mense impact on our society, mostly for the worse. The elements have included privatization of public services, an assault on social benefits, and most important, deregulation of finance. Though free-market ideas are hotly debated in classrooms, op-ed pages, and journals, their influence on events has come not in a Platonic fashion, through the power of argument, but through power itself. Free-market theory has conveniently provided ideological coherence.
As a fan of Lawrence Lessig’s pioneering work on copyright and digital culture, I was saddened when, a few years back, he shifted his focus to congressional corruption and campaign finance. Efforts to take the money out of politics—as opposed to playing the underdog’s hand as well as possible—had long struck me as a sucker’s game. Either way, you have to beat the moneyed interests. My skepticism deepened at a dinner where Lessig presented his ideas and, in response to hostile questions, seemed unfamiliar with an extensive academic literature casting doubt on the commonsense theory that campaign contributions buy policy results.
Manning Marable's biography of Malcolm X is a significant and poignant cultural event because of its subject, its purpose, and the recent tragic death of its author, the founder of the Institute for Research in African-American Studies at Columbia University. Marable worked on this biography for more than two decades, struggling in recent years with a severe illness that in 2010 required a double lung transplant. Only days before the book's publication, Professor Marable passed away. His commitment to scholarship even in the face of sickness and death is inspiring.
There's a tense scene in Eric Pooley's The Climate War when Jim Rogers, CEO of coal utility Duke Energy and leader of a shaky coalition of power companies, faces a moment of truth. Ten Fortune 500 companies and four major environmental groups are at the table. They've got a statement of legislative principles they can agree on and are ready to throw their collective weight behind a long-overdue comprehensive climate-change bill in the United States. They just need his sign-off. For Rogers, under intense pressure from his industry's biggest polluters, it amounts to a career-risking leap into the dark.
Mark Addy portrays King Robert Baratheon in a scene from the HBO series "Game of Thrones" premiering Sunday, April 17. (AP Photo/HBO, Helen Sloan)
In 2009, National Review ranked Peter Jackson's Lord of the Rings trilogy No. 11 on a list of the best "conservative movies" of the past 25 years. The magazine's reasoning was simple -- after September 11, the adaptations of J.R.R. Tolkien's epic fantasy novels were the perfect Manichean fable for conservatives as they cheered on and spurred America's march to war against an amorphous Muslim enemy in Iraq.
"The debates over what to do about Sauron and Saruman echoed our own disputes over the Iraq War," wrote Andrew Leigh, referring to the franchise's two epic villains -- a common reading for conservatives at the time.
The library in the Thomson Correctional Center in Thomson, Illinois (AP Photo/M. Spencer Green)
Last year, Jeff Fogel, an attorney who was working on a prison First Amendment case, e-mailed to tell me I was too hot for the Virginia Department of Corrections. An article I had written on states experimenting with creative ways to reduce their prison population had failed to make it past the department's Publications Review Board.
Andrew Sarris, the influential film critic and champion of the director's voice in filmmaking, died on June 20 at age 83. In this essay from our June 2010 issue, Harold Meyerson explains the critic's role in teaching him to love movies.
Paul Krugman: On my wife's advice. It's a manifesto. There's a lot of history and there's a lot of analysis, but it is fundamentally a manifesto. We also wanted to convey the sense that we are at a turning point. Conscience of a Conservative was, much as I disapproved of where it went, a signal that there was a big turn in where America was going, and, I think -- I hope, and I believe -- that we're at another turn.
EK: And you know that Wellstone used the same title. Did you think about that at all?