Media

Thinking Outside the (X)Box

There was soul-searching to spare at the Game Developers Conference, as attendees had some warranted stress over diversity—but they should be sure to remember to work on improving the world outside the industry too.

Flickr/Official GDC

Brian Taylor

Why Are Lists So Irresistible?

Flickr/atibens

Yesterday I gave a talk at my grad school alma mater, the Annenberg School for Communication at the University of Pennsylvania, about what journalists and scholars can teach each other. Interestingly enough, the academics in attendance all nodded their heads when I went on a little rant about how awful most academic writing is, and made the case that just because it has always been that way it doesn't have to continue to be that way. (Though when I quoted Elaine Benes—"People love interesting writing!"—the students looked at me blankly, obviously having no idea whom I was referring to. Kids today.) The abysmal quality of academic prose is something that every grad student complains about and every professor acknowledges, but nobody seems to have the gumption to do anything about.

That's a topic I'll return to later, but in discussing the current state of the media, I described how the most-read piece on The American Prospect's web site in 2012 was "My So-Called Ex-Gay Life,", Gabriel Arana's extraordinary story about the ex-gay movement and his own youthful experience with conversion therapy. The article was not only well-reported and beautifully written, but genuinely newsworthy; it included an interview with Dr. Robert Spitzer, one of the prime movers in the propagation of conversion therapy, in which Spitzer essentially recanted his entire career and apologized. That was our top article of the year, and deservedly so. And what was the second most-read article of the year? "Ten Arguments Gun Advocates Make, and Why They're Wrong," a listicle I wrote on the day of the Newtown shooting. I don't know exactly how long Gabe took to report and write his piece, but I imagine it was weeks. I splurted out that listicle in about an hour and a half.

So what's the lesson here? Lists are magic.

Sunday Shows Continue Long Tradition of Suckage

Oo, fascinating!

The Sunday political talk shows—your "Meet the Press," your "This Week," your "Face the Nation"—embody just about everything that's wrong with American politics, with Washington, D.C, and with the media. Every Sunday, you can flip between them and watch one party hack or another mindlessly deliver talking points, then watch the host try fruitlessly to trap said hack in some piece of hypocritical position-switching, then watch a bunch of "party strategists" bicker through the delivery of more talking points. I can understand why people who aren't interested in politics would find them unbearable, but even I can't stand them, and I'm someone who listens to C-SPAN radio in the car. (If you're interested in the depths of my disgust, you can read more here).

But there's no doubt they play an important role in Washington's political life, through the twin powers of agenda-setting and status conferral. The topics discussed on the Sunday shows are considered important topics, and the people who appear are considered important people. Back when George W. Bush was president, I worked at Media Matters for America, and during that time we started counting the guests on the Sunday shows to see what kind of ideological, gender, and racial diversity there was on these most prestigious of talk shows. When we released our first report on it—showing, among other things, that Republicans dramatically outnumbered Democrats, and conservatives outnumbered liberals—the producers of the shows responded by saying, "Well, that's because the Republicans are in power, so they're the newsmakers. If Democrats take control, then we'll be interviewing them more often."

So everything changed once Obama got elected, right? Nope.

"Jackass" Goes Geopolitical

Vice's foray into doumentary film may make you shake your head, but you can't deny it's good television.

Vice Productions

Vice Productions

We're All Buzzfeed Now

Not the NRCC web site.

A year or two ago, people would heap scorn on the Huffington Post, since although it employs excellent journalists who do valuable reporting, it also practices a brutal click-driven kind of management, in which celebrity news and grabby headlines are used to pull readers in, leaving some vaguely ashamed they read it in spite of themselves. HuffPo may not have invented the sideboob slideshow, but they brought it to such a high level that they eventually created an entire sideboob section on their web site, which is, not surprisingly, the top result you get on Google when you search the term. The section was created as a joke, but also kind of not.

Yet these days, you don't hear many of those complaints about HuffPo anymore. Why? One word: Buzzfeed. One might not have thought that another web site could find gold in the combination of guilty pleasure clickbait and actual journalism that HuffPo pioneered, but Buzzfeed did. Today, if someone is lamenting our short attention spans and the endless search for traffic, Buzzfeed is the site they'll mention. And how did they do it? Lists. Magical, wonderful lists. And Corgis. And Ryan Gosling. And lists about corgis and Ryan Gosling. Sideboob pics are for amateurs; if you want to grab the clicks, try "The 14 Most Insane Wedding Dresses of All Time," or "37 Professional Photoshoppers Who Should Be Fired Immediately," or "26 Things You Never Want to See Under a Microscope." Just try to resist clicking, I dare you.

So is there a way for politicians to get some of this action? The National Republican Congressional Committee, a name virtually synonymous with hip young people retweeting things with extra exclamation points, is betting that there is, according to the National Journal:

The AP Gives Up "Illegal Immigrant"

Flickr/Emilio Labrador

The Associated Press, whose stylebook is used by lots of different publications, has announced that it will no longer use the term "illegal immigrant." This essentially accepts the argument that advocates for immigrants have been making for some time, namely that the fact that someone immigrated illegally doesn't make them an illegal person, any more than the fact that you got a speeding ticket means you should be labelled an "illegal driver," despite your violation of the law. Unsurprisingly, conservatives were contemptuous of the AP.

The Pointlessness of Contrarianism for Its Own Sake

Contrarianism!

When you write for a magazine with a particular ideological bent, it's natural to wonder whether you're being too soft on "your" side. This question comes up more when your side is actually in power, since they're the ones who are implementing policies and making decisions; when the other side is in charge, most of your time is spent documenting and analyzing all the harmful and dangerous things they're doing, and your side is occupied with fighting the ruling party and waiting for its turn. Obviously, politics is a never-ending conflict, and that conflict can produce a certain siege mentality. For instance, when a Democratic president proposes a plan for universal health coverage and Republicans attack it with a campaign of mind-boggling hysteria and dishonesty (death panels!), it's natural to spend a good deal of time correcting the record and defending it, even if you think that plan is less than ideal. There are some people (like Glenn Greenwald) who write largely about one set of issues, and thus may find themselves regularly criticizing a president from the party they're closer to if that party doesn't live up to the standards they hold, but if you write about a range of issues, most of the time you won't be critical of your side for the simple reason that most of the time you agree with what they're doing.

That doesn't mean that by doing so you've abandoned critical thinking. On health care, for instance, my own position was like that of many liberals who wrote a lot about the issue—that the Affordable Care Act had a number of weaknesses and could have been much better than it was, but nevertheless represented an extraordinary advance that would have a positive impact on millions of lives. Did the second part of that position make us unthinking water-carriers? I don't think so, but Matt Welch of Reason might argue that it does. In an article titled "The Death of Contrarianism," Welch laments that while liberals (and liberal magazines) used to be skeptical of liberalism, in the Obama years they've become little more than a bunch of Democratic party apparatchiks. "The reformist urge to cross-examine Democratic policy ideas," he writes, "has fizzled out precisely at the time when those ideas are both ascendant and as questionable as ever." Welch seems to pine for the time when The New Republic was torpedoing Bill Clinton's attempt at health care reform by publishing the policy con artist Betsy McCaughey and beating the drums for the invasion of Iraq, because that represented a healthy contrarianism.

You should read Ed Kilgore's response to Welch, but I'd point out that contrarianism in and of itself is nothing to be proud of.

Dissecting Donglegate

Flickr/Chuckumentary

When is a dick joke not just a dick joke? That’s the question at the heart of what’s being called “Donglegate,” the latest tech-industry skirmish in the ongoing battle over the sector's rampant sexism. The answer: When it's scientifically proven to impair a woman's ability to do her job.

The Evolution of MSNBC

What MSNBC used to be.

At the New Republic, Rebecca Dana has a profile of MSNBC chief Phil Griffin, during which she points out that the network's current incarnation as the liberal's home on cable came about only because Griffin tried a bunch of other stuff that didn't work. There wasn't an ideological motivation, just a financial one. "Fox News is a TV network that succeeds because of its ideological slant," she writes. "MSNBC is a TV network that has an ideological slant because that's what happened to succeed."

Always Be Monologuing

Al Pacino's endless arias are the only thing that save David Mamet's Phil Spector from being mere propaganda.

Charles Sykes/Invision/AP

"This is a work of fiction. It's not 'based on a true story.'" So goes the disclaimer preceding director and writer David Mamet's Phil Spector, which premieres Sunday on HBO, and what sense are we supposed to make of that Bizarro World claim? The movie features Al Pacino in a surprisingly convincing impersonation—or maybe I just mean a disconcertingly affecting one—of the 1960s record producer now doing time for the 2003 murder of Lana Clarkson (real name also used). Nothing already known to the public deviates from the record, including Spector's cuckoo array of wigs in the courtroom.

Have You Heard? Feminism's Over!

Flickr/Seattle Municipal Archives

Good news, ladies! Feminism has fizzled, and those of us who aren’t suckers are giving up our career dreams to follow our female nature. Our lady brains and lady bodies aren’t cut out for the workplace, you see, and our manly, oafish husbands will never be as good as we are at cleaning the toilet, so why fight it? We’ll all be more fulfilled if we quit our jobs and make like June Cleaver by way of Martha Stewart. At least this is the point of the latest "trend" piece in New York magazine by Lisa Miller.

Asking Serious People Silly Questions

Erin Burnett, trying to keep from giggling.

I've written before about the media's inability to talk about the issue of marijuana legalization without turning into eighth graders, peppering their stories with references to Cheech & Chong and making generally idiotic stoner references ("Put down those Doritos and turn down that Dead bootleg—a new policy statement from the Office of National Drug Control Policy could be a serious buzz-cruncher!"). Whether this is changing now that Washington and Colorado passed decriminalization schemes in the last election and momentum is building in other states for similar measures, I'm not sure. But Mark Kleiman, who has done extensive research on the potential consequences of drug legalization and is now acting as a consultant to the state of Washington as it finds its way toward implementing the law the voters there passed, found himself confronted with a smirking Erin Burnett on CNN, who wanted to know whether he's a pot smoker or not, and handled it perfectly. "I don't think there's any ill will involved in asking the question," he wrote afterward, "journalists simply want to 'place' their sources culturally on the hippie-to-jock spectrum. But I want to resist the whole idea that drug policy should be a clash of cultural identities rather than a serious discussion of harms and benefits." Lo and behold, once he set her straight she had actual substantive questions to ask him, so it worked out fine.

This raises an interesting question, though. Just how capable are we of divorcing our beliefs about the people involved in public debate from the content of their arguments? And should we?

Just How Bad Is Television News?

Every year, the Pew Research Center's Project for Excellence in Journalism releases a huge report called "The State of the News Media," and this year's installment contains some surprising results, far beyond what you'd expect about declining newspaper revenues and the generalized slow death of journalism (though there's plenty of that). In particular, television news is undergoing some rapid changes, most of which are driven by finances and many of which look seriously problematic.

Let's start with local TV news (we'll get to cable in a moment)...

Working for Free on TV

That's me working for free.

In the last week or so, the world of people who write and publish for a living has been consumed with the question of whether and when freelancers ought to work for free. As you probably know, the internet has killed journalism, and this has made it all but impossible to make a living as a writer. Not really, of course, but this whole thing started when an editor at The Atlantic asked a writer if he'd like to give her an edited version of a piece he'd previously written, which would be published on their site without any pay, and he responded, "I am a professional journalist who has made my living by writing for 25 years and am not in the habit of giving my services for free to for profit media outlets so they can make money by using my work and efforts by removing my ability to pay my bills and feed my children." This then touched off a lot of soul-searching and navel-gazing among writers and editors, the most enlightening bit of which is probably this post from Alexis Madrigal.

I have my own (probably not particularly interesting) thoughts on whether and when one should write for free, but one angle I'd like to note is there are lots of exploitative relationships within the media, wherein one person takes advantage of another person's work for their own ends; for instance, as Ezra Klein Ezra Klein discusses, journalists use the work of experts (without paying them) to help them write their stories, and experts use the work of journalists (without paying them) to give their ideas exposure, generate donations to their organizations, and so on. But one are of what we might call exploitation doesn't get mentioned in these discussions a lot: television.

How Many Big-Time Pundits Are Plagiarists?

Juan Williams is obviously too busy to write his own columns. (Flickr/Nick Step)

Not long ago I was getting a shiatsu massage in my office when my assistant came in to tell me that he'd gathered the data on government spending that I'd asked for, and written it up in text form so I could drop it into my next column. When I read what he'd written, it looked suspiciously like turgid think-tank prose, so I asked him whether these were his own words or those of the source from which he got the data. When he began his response with "Um..." I knew he had failed me, so I flung my double espresso in his face, an act of discipline I thought rather restrained. Over the sound of his whimpering and the scent of burning flesh, I explained to him that real journalists don't pass off the work of others as their own. As part of his penance, I forced him to write my columns for me in their entirety for the next three weeks. The scars are healing nicely, and with my benevolent guidance he is well on his way to becoming the journalist I know he can be.

OK, that didn't actually happen. I don't have an assistant. I suppose if I resided at a higher tier of the Washington opinion journalism hierarchy, I would. Like Juan Williams, who finds himself in a spot of trouble today. As Alex Seitz-Wald of Salon reports, parts of a column Williams recently "wrote" for The Hill were lifted almost word-for-word from a Center for American Progress report on immigration:

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