The claim Philip Kindred Dick, California nutcase and sci-fi seer, holds on our imagination is a particular one. Dick’s signature as a writer is a sort of pre-epileptic hum or aura, an intimation of fast-approaching crisis. Something dislocates, something accelerates, a wire touches another wire and we know — quiveringly — that we have to […]
James Parker
James Parker is the American Prospect's film critic.
A Film Divided
Hollywood made some healthy contributions to the “rogue cop” genre in the 1990s. One was Internal Affairs, in which Richard Gere, as a cop gone bad, was corrupt, porkily sexual, running rackets, and siring children like a Greek god. Gere’s character had no conscience; his ethical sense was entirely displaced onto the person of the […]
Easy on the Adrenals
I could have walked out of Enigma. Not in anger — not in that state of congested indignation that sometimes forces cinemagoers to their feet, huffing and puffing and clawing for their coats in the darkness — but through simple lack of concern. Which surprised me, because almost any film set in England in 1943 […]
Dogtown Chronicles
The vicious drought that struck California in the mid-1970s killed lawns, turned golf courses to dust, and created the modern skateboarder. A team of street riders from “Dogtown” — south Santa Monica — began hitting Los Angeles’s dried-out swimming pools in search of new curves and walls. And these desecrated bowls, filled suddenly with the […]
Of Mice and Monkeys:
Don’t go see Human Nature in the art house. Stay away, if you can, from the like minds and the cineastes and the smell of Central American coffee. The place to see a film as fluidly daft, as limpidly out-there as this is at the mall, where you can slide from the theater’s darkness into […]
Boffins and Eggheads
I was once at a club in London where the Philadelphian rapper Schoolly D was performing. It was a tense affair: Schoolly was notorious at the time for his super-vicious raps, and the English crowd — lost in a thin, fuming rancor that seemed to find its outlet when one concertgoer doused another with lighter […]
Shooting Dumas’s Dog
There is poetry — or a good rhyme, at least — in the fact that Disney’s new adaptation of Alexandre Dumas’s 1845 novel The Count of Monte Cristo was written by a man better known as a producer and creator of TV game shows. Jay Wolpert has labored for decades in game-show land: Double Dare, […]
Raw Loathing
I suspect filmmaker Todd Solondz of being the sort of man who has difficulties with public transport. I imagine him staggering gray-faced off the bus with his sense of self almost erased by the stink and proximity of his fellow man; or hanging grim as a bat in the far corner of a subway car, […]
Wunderkinder: A Royal Shame
A young man named Anthony, inmate of an Arizona mental hospital, says a friendly good-bye to his psychiatrist and then prepares to shin down the wall on a rope of knotted sheets. Anthony’s stay at the hospital has been voluntary; but, as he explains to his psychiatrist, he must pretend that he is escaping for […]
The Mind of the Married Man
It would be interesting, wouldn’t it, to watch oneself watching TV, to see the muddy mirror that the face offers the screen, the weird and slavish half-reactions flickering across it, the shadows of infant anxiety and sudden, twitchy brightenings–like a dreamer with his eyes open. I’d like to have had a camera trained on my […]
