At Racialicious, Matt Egan has a very smart analysis of the history of representations of Jewishness in American film and television — both by Jewish producers/directors/writers and by others. In particular, I found his analysis of the Judd Apatow/Jason Segal oeuvre interesting: Egan sees Peter‘s choice between Sarah and Rachel in Forgetting Sarah Marshall as a choice between denying his own Jewish ethnicity or embracing it. He plumbs the hidden Jewishness of “Friends” and “X-Files.” And Egan has harsh words for recent Holocaust films The Reader and Valkyrie, which he describes as “decenter[ing] Jews to rehabilitate mass murderers.”

On the same topic, here is my take on another recent Holocaust movie, Defiance.

Dana Goldstein

Dana Goldstein, a former associate editor and writer at the Prospect, comes from a family of public-school educators. She received the Spencer Fellowship in Education Journalism, a Schwarz Fellowship at the New America Foundation, and a Puffin Foundation Writing Fellowship at the Nation Institute. Her journalism is regularly featured in Slate, The Atlantic, The Nation, The Daily Beast, and other publications, and she is a staff writer at the Marshall Project.