Full article here.Government involvement in journalism -- even to protect it -- is supposedly a radical notion. Just as we fear that corporate ownership of the press will lead to an insufficiently critical approach to corporate power, so too does public subsidy look likely to breed a cozy, even pleading, relationship to those holding power. Yet government has helped the press for years, and the reduced postal rates, copyright protections, favorable tax treatment, and other sundry subsidies don't appear particularly causal in the press's treatment of government action. And that's not even getting into the huge subsidies the government offers in the form of radio and television wave licenses, which grant public bandwidth to private companies. The government is so quiet about this giveaway that they don't so much as demand a few preempted sitcoms to allow full coverage of the quadrennial political conventions.Nordenson also tells of some stronger subsidy schemes in Europe. Sweden, for instance, has a system dedicated to encouraging reportorial competition. They allocate money to all but the dominant paper in a given market, so as to ensure that no town is stuck being dependent on a single newspaper or news source. The system is fully automatic, and works off a transparent and perfectly predictable formula. And the result? According to Daniel Hallin, chairman of the department of communication at the University of California, San Diego, the implementation of this system was concurrent with "a shift toward a more adversarial press. It is actually very strong evidence that press subsidies don't lead journalists to be timid."Elsewhere, the United Kingdom spends about $7 billon on public broadcasting, while the United States spends about $480 million. So the British are spending about 15 times as much as we are, despite being only one-fifth our size. The result is that in a country renowned for a vicious, tabloid-style press, the BBC stands protected in the center, producing constant, credible, adversarial journalism that need not compete on grounds of sensationalism.There are many models America could adopt. An independent commission that allocates money raised by an automatic tax that exists outside -- and thus away from the influence of -- the congressional appropriations process. Or Dean Baker's idea for an "Artistic Freedom Voucher" that would be controlled by taxpayers. Or even a simple, renewed commitment to publicly financed media. This requires overcoming our allergy to government support of goods with a public function. But what an odd nation we are if our discomfort with government support outweighs our fear of a media whose first imperative is to profit, rather than to inform. Such peculiar values would make for a helluva newspaper story, if there's anyone left to write it.