Over at The Prospect:
whether government-run medicine really kills, or in fact just turns our nurses into a cadre of propagandists in stilettos, is actually a bit beside the point. Contrary to its billing, Sicko is not a movie about health care policy. It does not spend time examining inefficiencies, or incentive structures, or public-private hybrids. It does not offer a methodologically rigorous cross-national comparison of health care systems. (Its portrayal of Cuba is, indeed, absurdly rosy.) That's not its point.
Its point, of course, is to arouse passion, to force debate, and on that, it succeeds. A few hours before, I'd been on Larry Kudlow's TV show, ostensibly to discuss health care and Moore's new movie. "I hate it," barked Kudlow. "Michael Moore's movie Sicko calls for socialized medicine." He hadn't seen it, of course, but felt perfectly comfortable assuming, and judging, its arguments.
The film is more radical, and more troubling, than he'd even imagined. Moore's movie is only superficially about health care. It uses the subject -- and also sick days, and vacations, and child care, and maternal support policies -- as a way to critique unthinking American exceptionalism, to challenge the tautology that states that the way we do things is the best way to do things because … it's the way we do things.
